Prytania and Fourth in the Garden District. WPA photo from the 1930s. The entry in the LOUIS database is amusing for the Lafitte reference:
B&W photo, date unknown. An Antebellum mansion in the New Orleans, Louisiana Garden District. Also known as the “cornstalk fence” house. Written on photo: This antebellum mansion is a grand example of the opulence of the sugar boon before the Civil War. This wrought-iron fence is famous for its corn stalk design. Local legend says that Jean Lafitte forged this iron work in his blacksmith shop which was located on the corner of Prytania and Fourth Streets.
The contrast between the architecture of the French Quarter and the Garden District is stark. The Quarter has lovely houses whose courtyards and interiors rise to the same level of opulence as these large homes in the Garden District. The Spanish/Moorish design hides that opulence behind large walls facing the streets. You have to get past the wall and gatehouse and enter the courtyard, then you realize you’ve stepped into a place of elegance. The walls conceal the beauty from passersby on the street.
There were many reasons the Anglo-Irish chose to settle into neighborhoods upriver from Canal Street. House design was one of them. The neighborhood is very British. Big front lawns, Most of the houses have low fences that allow those walking by to admire the lawn and garden. The homes display the owner’s tastes for all to see. There is a good mix of house types in this area. Some shotguns and creole cottages pop up on the smaller lots, but the big houses are, for the most part, English-influenced.
There so many wonderful stories about these homes. A guided tour of the Garden District is great, so you can learn some of the stories behind the houses. Grey or Loki can tell you all about it if you book one of their tours.
The Southerner was the last train to leave Terminal Station on Canal Street. (courtesy Tulane’s LaRC)
Terminal Station on Canal Street
Tulane’s Louisiana Resource Collection shared some important photos in Louisiana railroad history for April 16. The first photo is of Southern Railroad’s Train #48, better known as “The Southerner.” The Southerner was a “limited” train that ran from New Orleans to New York City. The train began operation in 1941, using EMD E6 engines and brand=new, corrugated-sided cars from Pullman-Standard.
The photo above shows the last Southerner leaving Terminal Station, on April 16, 1954. The Illinois Central and Kansas City Southern railroads had already moved their operations to Union Passenger Terminal on Loyola. When The Southerner departed on April 16th, Southern Railroad’s inbound trains were re-routed to their new home on Loyola Avenue.
The Southerner, on its way to New York (Wikimedia Commons)
Terminal Station was built on Canal Street in 1908. It serviced the Southern and Gulf, Mobile and Ohio railroads. So, in the black-and-white photo above, the photographer stands on the Basin Street neutral ground, behind the stations’s platforms. Krauss Department Store is visible on the right.
“The Pelican” backing into Union Passenger Terminal, April 16, 1954 (courtesy Tulane’s LaRC)
The first Southern Railroad train to enter Union Passenger Terminal was “The Pelican.” The Pelican also ran from New Orleans to NYC, but its consist was an luxury affair. It used sleeper cars owned by Pullman-Standard. There were no coach cars. The tracks coming into UPT include a “wye” track. While the incoming trains came in engine-first, they turned around on the wye. Then the engines backed into the platforms.
The Pelican at Union Passenger Terminal, April 16, 1954 (courtesy Tulane’s LaRC)
The Mayor of New Orleans in the 1950s was deLessepps Story Morrison. He was one of the biggest proponents of a single train station for the city. New Orleans had five stations around the city. Union Passenger Terminal remains in use by Amtrak and the Greyhound Bus company today.
Krauss and the Union Passenger Terminal New Orleans
Union Passenger Terminal, New Orleans, 2016
The Union Passenger Terminal
The Union Passenger Terminal (UPT) is New Orleans’ train station. Constructed in 1952, it replaced five passenger terminals located at various points in the city. UPT has a direct connection to Krauss Department Store, in that one of the stations it replaced was Terminal Station, located at Canal and Basin Streets. Terminal Station was right next to Krauss from 1908 to 1954. When UPT was completed, the city demolished Terminal Station. Canal Street shoppers never fully realized just how big Krauss Department Store was, because Terminal Station obscured the store’s depth.
Terminal Station was still nine years away when Leon Fellman bought the buildings in the 1200 block of Canal Street in 1899, and five years away when Krauss opened in 1903. The station had a wonderful symbiotic relationship with the store for all those years. You forgot something for your trip to New Orleans, and there was this department store with absolutely everything right next door when you got off the train! The concierges and staffs at the downtown hotels also knew this, and regularly steered guests to Krauss for those last-minute essentials and other purchases.
Visitors to the City
There is so much more to the story of UPT, and we’ll go more in-depth on that at some point. When the landscape of even a few blocks changes, like the area around Krauss after Terminal Station vanished, it’s important to make the connections. Krauss had the next-door neighbor connection to the Southern Railway and Gulf, Mobile and Ohio, both of which came into the station on Basin Street. Passengers coming to Canal Street from Union Station on Howard Avenue came to S. Rampart and Canal, just a block from Krauss. The buyers at Krauss knew this, and made sure the visitors saw enticing goods as they passed by.
The Irish-Italian connection/tradition originates with the two cultures merging in New Orleans after WWII.
In terms of numbers and influence, the Irish were first in New Orleans. O’Reilly is an outlier on this; the Irish influence begins in the 1820s. That first wave of Irish immigrants provided the manpower to build the New Basin Canal.
Crescent City Living’s video on the Irish Channel, produced by Crista Rock, with commentary from NOLA History Guy.
These are articles about the Irish I’ve written over the years. This podcast doesn’t go into a ton of detail, since its focus is how all these folks ended up in the same parade. 🙂 Don’t let that deter you from looking further into the Irish. Their story is an important part of the bigger story of New Orleans.
In many ways, the Italians get more exposure in the touristy writing than the Irish. That’s mainly because the Italians all but took over the French Quarter. This was in the 1880s and 1890s. The Italians left a lasting mark on the French Quarter. It’s the one neighborhood just about every visitor sees. Naturally, this is going to leave an impression. The Italian groceries, St. Mary’s Italian church (next to the convent), so many other Italian-owned businesses. Even the building the Louisiana State Museum currently uses as a warehouse for their massive collection was at one time a pasta factory!
Anyway, I wasn’t kidding about going to the Beauregard-Keyes House, either. The mafia connection is fascinating!
It’s not all about the Quarter, though, for the Italians.
So, the Italians migrated from the Downtown side of Canal Street. They went to Gentilly, Metairie, and St. Bernard Parish. The folks who went out to Metairie teamed up with the Irish for the big parade.
When there’s road work on Canal Street, there’s chaos downtown, to this day.
Krauss and Canal Street after the crash
From 1930, Canal Street, shot from the corner of S. Liberty. Just off the blow that was the 1929 streetcar strike, NOPSI and City Hall decided the best way to get folks back on public transit was to rip up the city’s main street. This was the “Beautification Program” of 1930. Krauss is on the left side, with Terminal Station next to it on the other side of Basin Street. So, if you look closely, you’ll notice that the “fleur de lis” lamp poles in the neutral ground aren’t there in this photo. The poles and fixtures you see here are the last thing replaced in this round of Canal Street improvements.
Saenger-Maison Blanche Radio
You can see Maison Blanche looming over the rest of Canal Street, If the MB building seems like it’s even more dominant in these photos from the late 1920s/early 1930s, that’s likely due to the big radio towers on the front and rear of the thirteen-story building. The top floor of MB was the studio for WSMB-AM. MB removed the rooftop tower a few years later, when the station moved its transmission equipment to St. Bernard Parish.
Terminal Station, right next to Krauss, was a beautiful urban passenger terminal. It was demolished in 1954. So, that year, 1954, was the first time since 1907 that shoppers could walk up Canal Street and have a good view of the Basin Street side of the store. Krauss got a boost as a result of the station just across the street.
Because of the road work and financial decisions by the company in 1929, 1930 was one year shy of some big innovations and improvements to Krauss Department Store. Air-conditioning and the Luncheonette come to the store in 1931.
We’re not quite sure what we’re going to do yet in terms of the run-up to the drop of Krauss: New Orleans’ Value Store this fall, so keep an eye here and on Facebook for photos, ad clippings, and other Krauss tidbits. Additionally, we’ll be coming up with other creative ideas to keep you anticipating the release of the book. So, stick around! It’s going to be fun. So many photos of Canal Street are shot looking from the river up towards the cemeteries. We’re going to post more Krauss-to-the-river photos, because it gets you thinking.
Be sure to “Like” our Krauss Department Store page on Facebook!
Dr. Campanella wrote a piece for da paper today on “moonlight towers”, the big structures erected in urban centers in the late 1800s, as a first step in providing electric street lighting. When Susan Granger shared it to our New Orleans group on Facebook, Froggy added a link to some photos in the Commons, showing moonlight towers.
Moonlight Towers lit up Canal
Henry Clay Monument, New Orleans, 1892
This photo of the Clay Monument is from 1892. The moonlight tower is visible in the rear. If the size of statues is any indication, Henry Clay was incredibly popular in antebellum New Orleans. The massive monument to him, located on Canal Street, at the intersection of Royal Street and St. Charles Avenue, remained in place until it was moved to Lafayette Square, in 1901.
Cotton wagon crossing Canal Street, 1890
A big cotton wagon crosses Canal Street at Carondelet Avenue, in 1890. Better view of the moonlight tower. The cupola of the Mercier Building, later Maison Blanche Department Store, is visible in the background, through an electric pole’s cross beams.
Cut down to size
Henry Clay Monument, 1895-1897
Here’s Clay again, sometime after the Canal streetcar line was electrified, and the statue was relocated. You can see the base of the monument has been removed, so tracks would run straight through the intersection. Even then, the cars passed too close to the statue.
Location of the tower on Canal
The tower on Canal Street was positioned at Canal and Dauphine, It cast its light in a 360-degree radius, extending for blocks around. This meant it illuminated the street as far back as Basin Street and the Southern Railway terminal. Even though electric lighting evolved from this format into storefront lighting and individual street lamps, most stores closed around 5pm-6pm in the evening at this time. Night hours were still decades away.