NOLA History Guy Podcast 13-April-2019 M.A.R.T. and City Park Avenue

NOLA History Guy Podcast 13-April-2019 M.A.R.T. and City Park Avenue

NOLA History Guy Podcast 13-April-2019

NOLA History Guy Podcast 13-April-2019

Mayor Ernest “Dutch” Morial stands by a M.A.R.T. “gondola,” 11-April-1985 (Morial papers, New Orleans Public Library)

NOLA History Guy Podcast 13-April-2019

Another short-form pod this week! Two items, “New Orleans Past” and unpacking a photo from 1951

M.A.R.T.

Our “New Orleans Past” item, from Catherine Campanella’s website, is her 11-April entry, which goes back to 11-April-1985. The Mississippi Aerial Rapid Transport, M.A.R.T. attraction at the 1984 New Orleans World Exposition attracted visitors and locals alike. Alas, it didn’t attract them in the numbers expected. But then, neither did the fair overall. As a rule, locals didn’t refer to the attraction as “MART”, but rather as “The Gondola”. The east bank station for MART was at Julia Street and the River, just to the east side of the main pavilion building. That building became the Morial Convention Center after Da Fair. The small cars ran across the river, landing next to Mardi Gras World. The theory (hope) of the Kerns was that folks would visit their year-round Mardi Gras attraction in Algiers before returning to the fair site.

This didn’t quite work out as planned. Folks rode MART like an amusement park ride rather than as transportation. Mardi Gras World figured out that the west bank location wasn’t good for attracting tourists, so they moved to the western side of the Convention Center. This was after the fiasco of riverboat casinos in that location.

The operators of MART hoped to continue the attraction as a transportation service, after the fair. While the concept was good, the gondolas weren’t in a good position for the nascent Warehouse District. MART was demolished in 1994. Some of the cars live on at various places around town, such as Poeyfarre Market.

City Park Avenue, 1951

NOLA History Guy Podcast 13-April-2019

City Park Avenue near the PontchartrainExpresway, 1951 (NOLA.com photo)

Unpacking an old photo. This is City Park Avenue in 1951. I found it on a Tumblr, attributed to NOLA.com. Not sure if it’s originally from the Times-Picayune or the State-Item. Also not sure who shot the photo. The streetcars made a left-turn onto City Park Avenue from Canal Street. The West End line continued from there out to the lake, on the eastern side of the New Basin Canal. The Canal line cars stopped on City Park Avenue. They changed for the inbound run there. The end terminal changed to Canal Street only in 1958.

 

Magazine Street Trackless Trolley Conversion #StreetcarMonday

Magazine Street Trackless Trolley Conversion #StreetcarMonday

Magazine Street Trackless Trolley Conversion – electric with no rails

Magazine Street Trackless Trolley Conversion

NOPSI Trackless Trolley on the Magazine line. Undated Franck-Bertacci photo, ~1948-1952

Magazine Street Trackless Trolley Conversion

Magazine Street Trackless Trolley Conversion

Riders Digest flyer, 11-February-1948 (courtesy Aaron Handy, III)

New Orleans Public Service, Inc (NOPSI) discontinued streetcars on a number of lines after World War II. Magazine Street was one of these lines.  While most lines transitioned to diesel buses, Magazine Street used “trackless trolleys” from 1948 to 1964.

Mules to Electrics to Buses

The Magazine Street line began operation in June, 1861. It used mule-drawn streetcars until 1895. The line electrified in 1895. The first electrics on Magazine were open-vestibule cars that were quickly replaced by single-truck Brills. When the arch roof cars began service on Canal, the 1905-vintage “Palace” cars shifted to Magazine and other upriver-downriver lines. Eventually, the 800-900 series arch roofs operated everywhere in the city.

NOPSI planned to convert streetcars to buses in 1940, but WWII delayed that. The War Department refused the conversions, saying the increased consumption of rubber and diesel fuel were unacceptable.

The Route

Magazine Street Trackless Trolley Conversion

NOPSI 931 at Arabella Station on Magazine Street, 1947. (Franck-Bertacci Studios, THNOC)

Magazine originally ran outbound on Camp, inbound on Magazine Street. Streetcars ran up to Toledano Street. The direction on Camp and Magazine flipped in the 1920s. Since then, line runs inbound on Magazine Street to St. Andrew. The inbounds turn there onto Sophie Wright Place, then onto Camp Street at Felicity. From there, they run to Canal Street. The end of the line is on Canal and Magazine. Outbound travels all the way up on Magazine, to Audubon Park. Magazine continued past the park, up Broadway to S. Claiborne until 1933. The service cut back to the park when the Freret line opened.

After WWII

Magazine Street Trackless Trolley Conversion

Ripping up the streetcar tracks on Camp Street, 1948 (NOPL)

The government lifted wartime restrictions in 1947. NOPSI discontinued streetcar operations as soon as possible. While West End and other long-haul lines switched to buses, The city ripped up the tracks in after trackless trolleys began operation in February, 1947. The overhead wire remained until 1964.

 

Race Screens on NOPSI 930 – Segregation on New Orleans transit

Race Screens on NOPSI 930 – Segregation on New Orleans transit

Race Screens on NOPSI 930 were typical on the 800 and 900 streetcars.

race screens

Movable race screens on NOPSI 930 streetcar. (Franck Studios photo in the public domain)

Race Screens

Jim Crow segregation began in the 1890s. They started in the wake of the landmark Plessy v. Ferguson Supreme Court decision. It comes as no surprise that the city where Homer Plessy and the Citizens Committee did their work embraced Jim Crow. White families of the area asserted their supremacy over the former enslaved and their families. We often look at New Orleans society as something more than white versus black. Creoles of color had extensive influence in the city. The White League saw them as “colored,” however. Because they weren’t “white”, the Creoles of Color were no better than the former enslaved to white people.

Jim Crow

The Jim Crow laws, and the overall attitude of racial segregation helped foster the Great Migration of the early 20th Century. The most visible impact of this movement of African-Americans to the north and west was with musicians. Jazz started out as a musical style in the various black communities of New Orleans. Musicians tired of having to enter/exit venues via the back door got on the train for New York or Chicago or Los Angeles. The music spread. It stayed home, too, as many African-Americans didn’t leave the South.

Back of the bus

Separate but equal was problematic on public transit. While the Canal and West End lines looped around Liberty Place, many of the lines operated “point to loop.” When the streetcar reached the outbound end of the line, the crew changed the direction of the electric poles on the roof. They also changed the direction of the seats. With the seats flipped, the race screens were at the front of the car. Black folks would get in and sit, but had to keep going to the back as white riders boarded. On crowded runs, it got to the point where black riders stood in the aisle. White riders kept moving the screens back.

Naturally, black riders got fed up. In Montgomery, Alabama, that came to a head when Rosa Parks refused to give up her seat on a bus in 1955. New Orleans was spared a Montgomery-style bus boycott. A federal judge ordered the race screens on NOPSI streetcars and buses be removed in 1958.

Just Hotels – The Transition of Canal Street #FadingSigns

Just Hotels – Where once retail ruled.

Just Hotels

This photo from the 1950s sums up the “before” of Canal Street beautifully. The corner of Canal and Camp Streets was one of the first to be demolished, to make way for a hotel. While the old Godchaux Building gave way to the Marriott New Orleans on the French Quarter side of Canal, the Sheraton New Orleans went up on the CBD side.

Waterbury’s Drug Store

Waterbury’s was a drug store chain that had two locations on Canal Street. One store anchored Canal and S. Rampart, the other Canal at Camp. The chain competed for business with K&B and Walgreens for prescription and retail business. Families chose drugstores for a number of reasons. Proximity to the home was often the main factor. Chains that also had downtown locations boosted their popularity. K&B opened their first location Uptown. The Canal Street location gave customers the option of picking up prescriptions on the way home from work. S. J. Shwartz opened the “Maison Blanche Office Building” in 1908. Many doctors rented space on the floors above the retail space. Shwartz opened a “Maison Blanche Pharmacy” in the building. The tenant docs brought their patients’ prescriptions straight to the pharmacy. K&B feared losing business. Their Canal Street store was two blocks down. They thought folks would go for the closer location. They opened a location on the corner of Canal and Dauphine, across from the MB building

Waterbury’s adopted a similar strategy. They placed multiple locations on Canal Street. This caught the folks on multiple bus and streetcar lines.

Soda Fountains

Older New Orleanians fondly remember Waterbury’s for its soda fountains. They made nectar-flavored sodas. Folks passionately debated who had the best nectar ice cream soda.

I’m too young to have memories of Waterbury’s, but my dad said we went there occasionally in the 1960s. We’d take the Franklin bus downtown, from my grandmother’s house in Gentilly.  Most of my soda fountain memories are of the K&B in Clearview Mall. The chain closed that location last. Because I worked at MB Clearview, I ate there a lot. Chocolate shake (with K&B vanilla ice cream, of course), please.

Unpacking the photo

Waterbury’s Drug Store occupied a two-story building at Canal and Camp Streets. The store placed a billboard on the roof. They painted a wall sign on the building next door. Businesses regularly took advantage of height mismatches such as this. The photo shows the two-track main line in the Canal Street neutral ground. The city ripped those tracks up when the line converted to buses in 1964. “Just Hotels” as a trend came along with the return of the Canal streetcar in 2004.

The big hotels

just hotels

The Sheraton New Orleans and Marriott New Orleans, as seen from the French Quarter (courtesy Flickr user Dieter Kramer)

The Marriott and Sheraton demolished the old buildings on their property. Later hotels converted existing buildings, because the city didn’t want to lose the Canal Street facades. The Waterbury’s wall sign contrasts well with the modern skyscraper hotel. It may make it into the book.

Mr. Bingle on Canal Street dates back to the 1940s

Mr. Bingle on Canal Street dates back to the 1940s

Mr. Bingle on the front of Maison Blanche Canal

Mr. Bingle

Santa and Mr. Bingle on the front of MB Canal, 1952 (Franck Studios photo courtesy HNOC)

Mr. Bingle

Maison Blanche regularly put up big displays on the front of the store. The second floor was mostly stockrooms and warehouse space. The view in windows on that floor left much to be desired. So, the store closed in the front of that floor. The display department placed large displays in that front space.

The first Mr. Bingle on the second floor appeared in the 1940s. By the 1950s, Santa joined the snow elf.

Second floor displays

Mr. Bingle

Maison Blanche Canal second floor display, late 1960s (Tess Conrad photo)

The store set up other displays in the second floor space. Mr. Bingle stepped aside for different Christmas decorations. The store saluted teams playing in the Sugar Bowl. In 1976, Maison Blanche promoted Bicentennial celebrations (and sales) with red-white-and-blue on the second floor front. Mr. Bingle took a back seat to these varied displays in the 1960s through the 1980s.

Return of Mr. Bingle

Mr. Bingle

Mr. Bingle on the front of Maison Blanche Canal, 1985. (Edward Branley photo)

While large Bingle displays vanished, he never really left Canal Street. He appeared in the front windows of the store. He was the main attraction of the store’s third floor Christmas section. Kids posed for pictures with Santa, but Mr. Bingle calmed them down.

The little guy re-appeared on the front of the store in a big way in the 1980s. So, the store commissioned a huge fiberglass Bingle. They put it out on the front of the store, along with a storyboard. The sign told the story of how Mr. Bingle came to be. Well, not how Emile Alline got the idea to hire Oscar Isentrout from a Bourbon Street strip club to work the Bingle puppet. This was the proper kids’ story!

Christmas Eve at MB

I worked at Maison Blanche at Clearview Mall when I was an undergrad at UNO. The Men’s Department assigned me to sportswear. Eventually, I moved to suits. I enjoyed working at MB, particularly since we were on commission! Christmas Eve was always a crazy day. So, there wasn’t much selling happening. We parked in front of the cash registers and rang stuff up. It made all the slow, boring nights in January welcome!

Happy Holidays, everyone!

Downtown Signs – 500 Block Baronne is a treasure trove #FadingSigns

Downtown Signs – 500 Block Baronne is a treasure trove #FadingSigns

Downtown signs tell stories of families and their businesses

Downtown Signs

I’m still in the gathering phase for Fading Signs of New Orleans. Last week, I requested locations of electric signs from businesses gone by. They count as “faded” for the book. The response was incredible! Y’all gave me some great suggestions.

Ryan Bordenave of the Downtown Development District commented on the “Ain’t There No More” group on Facebook with a photo of downtown signs. The photo includes wall advertising and electric!

500 Block Baronne

Baronne Street attracted businesses in the CBD because of the streetcars. The St. Charles Avenue line originally used Baronne to access Canal. Both inbound and outbound streetcars on the line passed up and down Baronne.

The 500 block contained a movie theater and furniture store. The theater opened in 1906 as the Shubert The location declined in the 1940s and 1950s. The Shubert offered vaudeville and burlesque, rather than films. New owners renovated the Shubert in 1950. They renamed the theater. It operated until the late 1960s. The location re-opened as a disco in the 1970s . The theater changed ownership in 2012 and reopened as live entertainment venue.

Signs advertising “air conditioning” hearken back to times when the average house in New Orleans didn’t include that feature. Department stores and movie theaters enabled folks to escape the summer heat for a little while. Not every theater offered air conditioning.

Mintz Furniture

downtown signs

Mintz Furniture, 501 Baronne, 1950 (Franck Studios photo)

The Mintz family has operated furniture stores in New Orleans for generations. Their stores included the Baronne Street location, as well as a store in the French Quarter. The current incarnation of the family business, Hurtwitz Mintz, operates on Airline Highway in Metairie.

The height difference between the Mintz building and its neighbor offered the opportunity to place a wall sign on the side. While the electric sign was removed, the painted sign remains. We’ll tie in both to tell the story in the book.