House at the corner of Elysian Fields Avenue and Levee Street, from an 1842 Plan Book. (Courtesy New Orleans Notarial Archives)
Elysian Fields House 1842
This is a house on Elysian Fields Avenue, between Levee and Victory Streets. “Levee Street” was the earlier name of Decatur Street. “Victory Street” is now Chartres Street. The house is in the French Colonial style. The property is fenced-in, with out-buildings surrounding a formal garden. The block is now a light industrial facility.
The train tracks in front of the house were part of the Pontchartrain Railroad. The railroad ran from a station at Elysian Fields and Chartres, out to Milneburg, at Lake Pontchartrain. So, the Pontchartrain Railroad depot is just behind where the artist stood for this illustration.
This image is a great example of the rabbit holes I fall into when researching something for a fiction project. I’m writing two stories that are set in 19th Century New Orleans. While one takes place in 1820, the other at the outbreak of the Civil War, I’m always browsing various sources for inspiration. There’s a version of this image in the Commons. It’s a photo reproduction from the book, New Orleans Architecture, Volume IV, the Creole Faubourgs (Pelican Publishing Company, 2006). I own a copy of the ebook, so I used the image from that source, enhancing it a bit with GIMP.
The illustration is part of a “Plan Book,” a set of drawings done as a legal record of a piece of property at the time of a sale. So, Plan Books were a part of real estate transactions going into the 1890s. After that, photographs were used. Nowadays, an appraiser photographs the property with a smartphone. In addition to documenting legal transactions, the Plan Books give us great insight into life in 19th Century New Orleans.
The surveyor for this plan book was Benjamin Buisson. The illustrator was Charles A. de Armas, The New Orleans Notorial Archives, maintain the plan books. The Archives are part of the Clerk of Civil Clerk’s office. This item is Plan Book 21, Folio 23.
The Irish-Italian connection/tradition originates with the two cultures merging in New Orleans after WWII.
In terms of numbers and influence, the Irish were first in New Orleans. O’Reilly is an outlier on this; the Irish influence begins in the 1820s. That first wave of Irish immigrants provided the manpower to build the New Basin Canal.
Crescent City Living’s video on the Irish Channel, produced by Crista Rock, with commentary from NOLA History Guy.
These are articles about the Irish I’ve written over the years. This podcast doesn’t go into a ton of detail, since its focus is how all these folks ended up in the same parade. 🙂 Don’t let that deter you from looking further into the Irish. Their story is an important part of the bigger story of New Orleans.
In many ways, the Italians get more exposure in the touristy writing than the Irish. That’s mainly because the Italians all but took over the French Quarter. This was in the 1880s and 1890s. The Italians left a lasting mark on the French Quarter. It’s the one neighborhood just about every visitor sees. Naturally, this is going to leave an impression. The Italian groceries, St. Mary’s Italian church (next to the convent), so many other Italian-owned businesses. Even the building the Louisiana State Museum currently uses as a warehouse for their massive collection was at one time a pasta factory!
Anyway, I wasn’t kidding about going to the Beauregard-Keyes House, either. The mafia connection is fascinating!
It’s not all about the Quarter, though, for the Italians.
So, the Italians migrated from the Downtown side of Canal Street. They went to Gentilly, Metairie, and St. Bernard Parish. The folks who went out to Metairie teamed up with the Irish for the big parade.
From 1836, an illustration by G. W. Sully of the riverfront in Faubourg Marigny. You can see the station for the Pontchartrain Railroad on the left side of the illustration. The railroad was chartered in 1830, and began operations in 1831, so this was just five years into its existence. The purpose of the Pontchartrain Railroad was to connect the city, specifically, Faubourg Marigny, Faubourg Treme, and the French Quarter. Alexander Milne developed the area at what is now Elysian Fields Avenue and the lake into a port district, which became known as Milneburg. In addition to coming up the Mississippi River, much of the city’s ocean-going ship traffic came to New Orleans from the Gulf of Mexico, through the Chef Menteur Pass or the Rigolets Pass, into Lake Pontchartrain. Once in the lake, the larger ships were unable to go down Bayou St. John and the Carondelet Canal. Milneburg made it easier for the ships, since all they had to do was dock on the lakefront.
New Orleans’ First Railroad
The only catch was that the city was five miles away! The solution was simple, though, build a railroad. The planning/discussions for the railroad began in 1828. The first train, pulled by horses, left the station on April 14, 1831. Steam locomotives took over for animal power in June of 1832. This connection was a major path for commerce and goods up to the Civil War. After the war, as rail service to New Orleans began to expand, the Pontchartrain Railroad was acquired by larger rail concerns.
Sail to Steam
Notice that, in this illustration, the vessels are all powered by sail. That would change dramatically, as larger ships were constructed with steam engines and side paddlewheels, to speed up the journey from New Orleans to Havana, and various ports in along the American coast and Europe. These heavier ships were unable to use the passes into Lake Pontchartrain. This cut back on the shipping traffic docking at Milneburg, and the railroad no longer transported the goods it once did. Like many port areas, Milneburg became more of a recreational area than commercial, and the railroad then began to carry more passengers than goods. In the 1830s, though, it was all about commerce.
NOPSI 830 on Bourbon at St. Peter, 1947. (Courtesy the Thelma Hecht Coleman Memorial Collection, Southeastern Architectural Archive, Special Collections Division, Tulane University Libraries)
This weekend is the annual Tennessee Williams Festival, and tomorrow will be the festival’s “Stella” yelling contest, conjuring the spirit of “Streetcar Named Desire” in the streets of New Orleans. “Desire” was a metaphor to Williams, but the Desire streetcar line was real, and an important route, tying the Upper Ninth Ward to the rest of the city.
Signbox for a 900-series arch roof streetcar. “DESIRE” sign made for the box by Earl Hampton.
Tennessee Williams (courtesy of Hotel Monteleone)
Tennessee Williams, relaxing at the Hotel Monteleone, 1950s.
“Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.”
722 Toulouse Street
When Tennessee Williams arrived in New Orleans in 1938, he took a room here, at 722 Toulouse Street. Now it’s the offices of the Historic New Orleans Collection. WGNO “News with a Twist” did a great spot on the house this week.
Royal Street in Faubourg Marigny, 1951 (Franck photo courtesy HNOC)
The streetcar tracks are gone in this 1951 photo of Royal Street in the Marigny, but it’s a good idea of what riders of the Desire line saw on their way into town.
Looking down N. Tonti at Pauline Street, 1947 (Franck photo courtesy HNOC)
Looking up N. Tonti at Pauline Street, 1946 (Franck photo courtesy HNOC)
Two views of the Upper Ninth Ward from 1946 and 1947. These shots of N. Tonti Street at Pauline are a good illustration of the houses and buildings in the neighborhood serviced by the Desire line.
NORTA 29, the last Ford, Bacon, and Davis streetcar. (Edward Branley photo)
The first streetcars to run on the Desire line were single-truck Ford, Bacon, and Davis cars. NORTA 29 (ex-NOPSI 29) is the last FB&D streetcar.
NOPSI 888, running on the Desire Line, 1947 (Franck photo courtesy HNOC)
The 800- and 900-series arch roof streetcars operated on the Desire line from 1923, until its discontinuance in 1948.
NOPSI Bus on Dauphine, 1954 (Franck photo courtesy HNOC)
The streetcar tracks were ripped up in 1948, and “A Bus Named Desire” took over bringing commuters to and from the Ninth Ward to Canal Street.
The Streetcars of New Orleans, by Hennick and Charlton, 1964 (amazon link)