Canal Street 1960 #PhotoUnpack

Canal Street 1960 #PhotoUnpack

Canal Street 1960 featured Hitchcock at the movies.

canal street 1960

Canal Street 1960.

Unpacking a photo from “N.O.L.A. – New Orleans Long Ago” on Facebook. This color shot features the 1101 to 901 blocks of Canal Street. The photographer (unidentified) stands across the 140′ street. the angle indicates they’re at Elk Place. A green arch roof streetcar travels inbound, on the Canal line. A second streetcar travels outbound, a block down the street. The marquee of the Saenger features Alfred Hitchcock’s “Psycho.” Woolworth’s at N. Rampart Street, the Audubon Building, and Maison Blanche Department Store are visible, along with numerous billboards and other advertising.

“Psycho”

While this photo is undated, the marquee of the Saenger Theater tells us it’s from the Summer of 1960. Paramount and Hitchcock released “Psycho” nationwide at the end of June. An interesting tidbit about the film: it was the first movie released in the United States with a “no late admission” policy. While Paramount opposed the notion, it turned out that moviegoers lined up well in advance to see the film.

Like other movie houses in New Orleans in 1960, the Saenger observed Jim Crow laws and restrictions. The theater operated the balcony separately from the rest of the building. They walled off the balcony as a “colored” theater, the Saenger Orleans. The theater merged back to one after the passage of the Civil Rights Act of 1964.

The Rubenstein’s store, on the Sanger’s corner at Canal and N. Rampart, was not connected to Rubenstein Brothers, the venerable men’s store still at Canal and St. Charles Avenue. This Rubenstein’s was part of a chain of women’s stores. They later moved to the 1000 block. That corner storefront of the theater became a Popeyes in the 1980s.

F. W. Woolworth Co.

Woolworth’s operated one of its two Canal Street stores on the other side of N. Rampart. This location became a nexus for Civil Rights protests just two years after this photo. As in other cities, protesters focused on the Woolworth’s lunch counter. While there were no major incidents, Civil Rights leaders, most notably the Rev. Avery Alexander, led pickets and protests on Canal Street.

Woolworth’s closed the store in the 1990s. The building remained vacant until 2011. Developer Mohan Kailas acquired the store. He demolished the building (which stood on the corner since the 1930s). Kailas partnered with Hard Rock Cafe to build a hotel on the site. In 2019, construction failures caused the development to collapse, killing three.

901 Block

The 901 block of Canal Street stands as it has since 1910. The Audubon Building was an office building at the corner of Canal and Burgundy streets. It was later converted into a hotel, The Saint. Next is the S. H. Kress store, then Maison Blanche Department Store. MB the store occupied the first five floors. The upper floors were leased as office space. WSMB radio stood atop the building, on the thirteenth floor.

Streetcars

A 1923-vintage arch roof streetcar heads inbound on Canal Street. It approaches the corner of Canal and Rampart streets. I can’t make out its number – if you can, let me know! New Orleans Public Service, Incorporated (NOPSI) operated the transit system in New Orleans at the time.

The “beautification project” of 1958 cut back the number of streetcar tracks on Canal from four to two. Streetcar lines heading inbound to Canal Street used the outside tracks to turn around and return to their origin points. By the late 1950s, the only remaining streetcar lines were Canal and St. Charles. So, since those turn-arounds were no longer necessary, the city cut down the size of the neutral ground. Additionally, they increased the number of auto lanes in the downtown section of Canal. planters and palm trees appeared as part of the project. By the summer of 1960, the palm trees survived a couple of winters.

 

Department Store Artwork vs. Photography

Department Store Artwork vs. Photography

Department Store Artwork served as the foundation of newspaper retail advertising for over a century.

Department Store Artwork

Department store artwork vs. photography

Ads from D. H. Holmes and Maison Blanche Department Stores in the Times-Picayune, 4-March-1976. The Holmes ad presents ladies sportswear illustrations. The Maison Blanche ad features photographs of models wearing London Fog coats.

Department Store art departments

The artists that worked for Holmes, MB, Godchaux’s, and Krauss provided the ad copy to the newspapers. While some manufacturers offered “camera ready” artwork of their products, the store artists usually fashioned their own interpretations. They transformed illustrations and photos of anything from clothing to washing machines into ads. Even when provided with artwork, the ad creators still had to size and shape it into the newspaper-ready form.

D. H. Holmes

“Summer Separates by Koret of California” – this ad (top) entices ladies to the “Pontchartrain Sportswear” section of the chain’s stores. Additionally, note the mail order form in the bottom left. Holmes regularly presented ads in one section of Da Paper, with MB doing the same in another.

D. H. Holmes operated their iconic 819 Canal Street store, as well as locations at Lake Forest, Lakeside, Oakwood, and Southland Mall in Houma. Notice the ad, in the New Orleans newspaper, doesn’t list the mall’s name in Houma. Most folks in the metro area wouldn’t make the connection. The Lakeside and Houma locations listed here continue as Dillard’s stores.

Maison Blanche

Department Store Artwork

MB departs from the regular format on this day. While the ad features quality ladies fashion items, there’s a lot of text here. Three models present London Fog coats for women. The chain invited shoppers to meet Lou Ferrari, a representative of London Fog.

Additionally, Maison Blanche announced several events in this ad. In partnership with the Humanities Committee of Greater New Orleans, they presented a forum in the Canal Street store’s auditorium. Models made informal presentations at lunchtime at the Caribbean Room of the Pontchartrain Hotel, and the store sought instructors and staff for a new in-house program. MB operated their store at 901 Canal Street, as well as at Airline Village, Clearview, Lake Forest, and Westside.

Buy the book!

Mr. Bingle 1952

Maison Blanche Department Stores, by Edward J. Branley

Want more photos and stories about New Orleans retail? Get my book, Maison Blanche Department Stores.

Rex Parade Photo ID

Rex Parade Photo ID

This Rex parade photo ID is a great challenge.

rex parade photo id

Rex Parade Photo ID

Photo of a Rex parade circa 1920. Handwritten caption says “Boys School in Rex Parade N.O. La.” The photo features a high school band, marching lakebound on Canal Street. They’re crossing Canal and Carondelet Streets, passing in front of Fellman’s Department Store at 800 Canal Street. The crowds are heavy, as the band approaches the official parade reviewing stand at the Boston Club (out of frame to the right). Via Col. Joseph S. Tate Photograph Album, LSU Special Collections. LSU notes the 1920 date as “questionable.”

Key ID factors

The photo contains three items that bring the 1920 date into question. Or do they? Let’s look.

Boys High School

The caption, “Boys High School” likely refers to what is now Warren Easton Charter School. The school stands at 3019 Canal Street, between N. Salcedo and N. Gayoso Streets in Mid-City. It’s been there since 1913. The city founded the school in 1843. In 1911, they changed the name from “Boys High School” to “Warren Easton High School.” The new name honored the first Supervisor of Education of the State of Louisiana and the City of New Orleans.

So, by 1920, the school had been Warren Easton for seven-ish years. While that’s ample time to change all the legal documents, old habits die hard. You can hear someone say, “What’s that band? Oh, that’s ‘Boys School.'” Additionally, the caption is handwritten, so we’re relying on someone’s recollection.

Fellman’s

rex parade photo id

Leon Fellman moved his store from the Mercier Building at 901 Canal Street to the Pickwick Hotel at 800 Canal Street in 1897. He died in 1920. Fellman’s family returned to the German version of their name, Feibleman, upon his death. They also re-organized the structure of the corporation, changing the store’s name to Feibleman’s.

Again, legal changes don’t always jive with what people say. Additionally, it takes time to change signage and such. Still, that the storefront on Canal says “Fellman’s” here, it’s likely the photo is earlier than 1920.

Cumberland

rex parade photo id

OK, this is a deep dive, but there’s an interesting sign in the bottom right corner. It says:

CUMBERLAND TELEPHONE
AND TELEGRAPH CO.
PAY STATION

Cumberland Telephone and Telegraph offered telegram and long distance telephone services at their “pay stations” in the south. Southern Bell merged with Cumberland in 1911. So, this sign likely stood there in the late 1910s. I haven’t seen the sign in photos of the 800 block from the 1920s.

Conclusions

I got nothin! The Islandora record for the photo says:

The photograph album (unbound) contains 103 black and white prints mounted on paper. The images show scenes from several locations in Louisiana during the 1920s. Photographer unknown.

Given the “Fellman’s” sign at 800 Canal Street, it’s certain the photo is no later than 1920. That re-branding was fast and severe. The telephone company wouldn’t have been so intent on replacing their sign. The caption is human.

What do you think?

Rex Dumbo 1960

Rex Dumbo 1960

Rex Dumbo 1960 – the flying elephant appeared in the big parade.

rex dumbo 1960

Rex Dumbo 1960

“Dumbo, the Flying Elephant” in the 1960 Rex parade, 1-March-1960. This photo, by Howard “Cole” Coleman, offers a great “unpack.” It features several Canal Street stores, Maison Blanche, Katz and Besthof, Chandler’s Shoes. The K&B had been converted to the “Camera Center” by this time. The parade rolled down St. Charles Avenue from Uptown. It turned left going the wrong way up Canal, then made a u-turn at Rampart. Rex then rolled down to the river.

901 Canal Street

Maison Blanche dominates the 901 block. The store boasted five floors of retail space. The two towers of the “Maison Blanche Office Building” rose up an additional seven floors. The store’s entrance was at the corner of Canal and Dauphine Street (right behind Rex Dumbo 1960 here). The “office building” entrance stood at the other side of the building. A separate set of elevators lifted you up to a myriad of doctors, dentists, and other businesses above the store. The Ritz-Carlton New Orleans uses the old office building entrace as the main entrance of the hotel.

Katz and Besthof

K&B opened their store in the 800 block of Canal in the 1920s, to service those going to doctors in the MB building. By the late 1950s, the store became redundant, as the chain also operated a store across the street. So, K&B created the “Camera Center.” They sold cameras and photographic supplies on the second floor. The Camera Center grew in popularity, to the point where it took over the first floor as well.

Chandler’s to Baker’s

The Edison Brothers opened the first in their chain of Chandler’s Shoe Stores in 1922. By the 1930s, they expanded to New Orleans. They opened a Chandler’s in the 800 block, next to Lerner’s, just up from Gus Mayer and D. H. Holmes. The Edisons opened a second chain they called Baker’s Shoes. The New Orleans Chandler’s became a Baker’s in the 1970s. Baker’s eventually moved out to the malls. The chain closed the CBD location. The retail front of the building is now a spa/massage place.

King of Carnival

While many of the retail outlets on Canal Street erected grandstands, the stores in the 801 block chose not to. That offered prime parade-watching spots to folks who just wandered around. Cole Coleman stood on the neutral ground to get his photos. Additionally,Coleman crossed the neutral ground to take shots of the parade on the other side of Canal. At this time, Rex toasted his queen and the court at the Boston Club at 824 Canal.

The streetcars stopped, as they do today, at Liberty Street. They “switch-back” there, beginning their outbound runs.

Mugnier Rex 1907

Mugnier Rex 1907

George Mungnier Rex 1907 – A different angle from Allison’s.

mugnier rex 1907

Mugnier Rex 1907

George Francois Mugnier also caught the Rex Parade in 1907. His photo shows the parade moving lakebound, in the 800 block of Canal Street. A “riding Lieutenant” stands behind a float. A classic jazz band is behind the rider. The stores of the 801 block appear background right. the Mercier Building, with its golden cupola, rises, background center. The crowd stands on either side of Canal Street, as the parade goes up the Uptown side, turns around, then goes down the French Quarter side. Mules, draped with white canvas, pull the floats. The flagpole, flag furled around it, is likely the Lazard’s store.

Maison Blanche 1907

In our #AllisonUnpack earlier today, Alexander Allison caught the steel frame of the “new” MB building in distance of his 1907 photograph. Allison stood in the 500 block of Canal to catch this parade. Mugnier’s perspective, standing in the 700 block, offers more detail of the progress of the new store. The Mercier Building went up at 901 Canal in 1884. The Merciers acquired the corner from Christ Episcopal Church. The church chapter auctioned off their gothic-spire church that year. The sale netted the chapter enough to build the current Christ Episcopal Cathedral. That church towers over St. Charles Avenue and Sixth Street. That corner is also a busy area on parade days.

So, Shwartz opened the Maison Blanche in the Mercier building in 1897. Ten years later, he felt growing pains. He planned a building with five stories of retail space. On top of that he built two office towers. The towers brought the total height of the building to twelve stories. A thirteenth story was added to the rear tower later. This became the studios of WSMB Radio.

Rear tower first

To keep MB operating during the construction, Shwartz moved everything from the store into the front half of the Mercier Building. The rear was then demolished. The rear tower rose in the empty space. When that tower was complete, MB moved into the new space. They tore down the front of the old building (alas, losing that magnificent cupola). In its place rose the front of the current building.

Transition

Mugnier may never have caught this transitional period for Maison Blanche, were it not for the Rex Parade. Allison’s and Mugnier’s photos are courtesy New Orleans Public Library.

1907 Rex Parade #AllisonUnpack

1907 Rex Parade #AllisonUnpack

Alexander Allison caught the 1907 Rex Parade from the 500 block of Canal Street.

Rex Parade 1907

1907 Rex Parade

The parade of Rex, King of Carnival, heading down Canal Street, on 12-February-1907. Photograph by Alexander Allison. The photographer stood on the roof of a building in the 500 block of Canal, looking up the street. The photo shows the 601, 701, and 801 blocks of Canal Street. The structure of the Maison Blanche Building is visible on the far left side.

Alexander Allison’s photographs

Allison was an engineer for the New Orleans Sewage and Water Board from 1900 until his retirement in 1959. He carried a camera with him all around the city. When Mr. Allison passed in 1964, his daughter donated his photo collection to the New Orleans Public Library (NOPL).

Allison’s photographs document the growth and changes in New Orleans in the first half of the 20th Century. His photos are an incredible resource.

Unpacking 1907

So, Allison catches the Rex parade on Canal Street. The parade came down St. Charles Avenue from Uptown. They turned left at Canal, going on the wrong side of the street. Not a problem, of course, since the parade route was closed. This enabled Rex to pass in front of the Boston Club, in the 800 block. Rex toasted his queen and court there. The parade went up to Rampart Street, where it made a u-turn. They paraded down Canal, turning onto N. Front Street, where they disbanded.

Retail Shops

Almost every building on the French Quarter side of Canal Street erected reviewing stands for Carnival. Mayer’s anchored the corner of Canal and Chartres Streets, at 601. The four-story Touro Buildings in the 701 block remain very much as they were when built in the 1840s. After the big fire of 1892, the building at the corner of Canal and Bourbon Street was raised to five stories. The dry goods store, B. Cohn Company, occupied that space in 1907. The first two floors of the Touro Buildings held retail shops, usually owned by Jewish retailers. Judah Touro rented to fellow members of that community, and the practice continued throughout the 19th Century. Marks Isaacs, previously partnered with Charles Kaufman on Dryades Street. He then joined with S. J. Shwartz at Maison Blanche. In 1907, Isaacs left MB, opening his own store in the Touro Buildings. The Marks Isaacs store closed in the 1960s. The 801 block included Hanan & Son Shoes, Kreegers, and D. H. Holmes. Allison’s position in the 500 block compresses the view of the 801 and 901 blocks.

Maison Blanche

The steel superstructure of the “new” Maison Blanche building is visible on the far left of the photo. S. J. Shwartz demolished the 1884-vintage Mercier Building in 1907. He tore down the back of his store, building the rear section first. When that structure was complete, Maison Blanche moved everything into the new building. They then tore down the rest of the old building, that fronted Canal Street.

Identifying the photo

The NOPL record for this photo lists several inaccuracies that made it a challenge to identify. While the photo said 1908, the theme of the parade and the Viking float at bottom right puts this as the 1907 parade. The MB construction also confirms this. The location listing says Allison was at the Chess, Checker, and Whist Club, but that is also inaccurate. That club stood further up, at 900 Canal Street. So, for this photo, Allison was five blocks further down. NOPL expresses concern about the accuracy of Allison’s dates and locations. The errors on this photo indicate they were likely made by someone going back through the collection, not Allison himself.

NOLA History Guy Patrons

Since this post is the first #AllisonUnpack of the series, it’s not behind the Patreon wall. We’ll elaborate on some of this in a second, patron-only post. After this, these unpacks will be in the usual format. Everyone will see the first 100ish words and the image, with the full story available for patrons.