NOLA History Guy December continues with a Canal Streetcar image.
Ford, Bacon, and Davis
Alexander Allison captured four New Orleans Railway and Light (NORwy&Lt) streetcars in this image of the 801 and 901 blocks of Canal Street. The stores display red,white, and blue bunting and banners, marking Independence Day, 1906. There are several Allison images in New Orleans: The Canal Streetcar Line.
Three single-truck cars designed by Ford, Bacon, and Davis (FBD) roll up and down Canal Street. The streetcar on the left rolls on the outside inbound (towards the river) track. The two outside tracks on Canal enabled the lines converging on the main street to turn around. For example, a car coming up Royal Street would turn onto Canal for a block, then turn onto Bourbon Street. While the modern St. Charles line does something similar with Carondelet Street and St. Charles Avenue, St. Charles operated in “belt” service with Tulane at the time of this photograph.
The car on the left-center track also travels to the river. It will circle around Liberty Place, then proceed on its outbound run.
The third single-truck rolls outbound (towards the lake) on the outside track. It will turn either on Dauphine (by the Mercier Building), or go up to N. Rampart Street.
The fourth streetcar in the photo is a double-truck “Palace” car. It’s running on the Canal/Esplanade belt. If it’s running on Esplanade (the roll board displaying the route isn’t visible), the motorman will steer the car to N. Rampart. If the car operates on Canal or West End, it’s heading towards the cemeteries.
Most of the 801 block buildings remain the same today. The Mercier Building looms in the background, at 901 Canal Street. It’s the home of Maison Blanche Department Store. The company will replace this building with the 13-story one we all know well in a year.
Alexander Allison was an engineer for the New Orleans Sewage and Water Board. He was also a prolific photographer, taking photos all around the city. His job took him to every corner of Orleans Parish. His photo collection is maintained by the New Orleans Public Library.
New Orleans: The Canal Streetcar Line
The clanging of a streetcar’s bell conjures images of a time when street railways were a normal part of life in the city. Historic Canal Street represents the common ground between old and new with buses driving alongside steel rails and electric wires that once guided streetcars.
New Orleans was one of the first cities to embrace street railways, and the city’s love affair with streetcars has never ceased. New Orleans: The Canal Streetcar Line showcases photographs, diagrams, and maps that detail the rail line from its origin and golden years, its decline and disappearance for almost 40 years, and its return to operation. From the French Quarter to the cemeteries, the Canal Line ran through the heart of the city and linked the Creole Faubourgs with the new neighborhoods that stretched to Lake Pontchartrain.
Available at local bookstores, Walgreens stores, other local shops, Bookshop, and other online outlets.
Our sixth installment of NOLA History Guy December features Krauss Department Store
NOLA History Guy December – Krauss
At the end of the 19th Century, the 1201 block of Canal Street consisted of a series of single-family homes. In 1899, Businessman and real estate developer bought those buildings. Fellman demolished those buildings in 1903, building a two-story retail store.
Fellman was a well-established merchant in New Orleans. He started with his older brother, Bernard, running a dry goods shop in the 701 block of Canal. The brothers split, with Leon opening his own store in the Mercier Building at 901 Canal. When S. J. Shwartz acquired 100% of that building, Fellman moved to 800 Canal. While he saw potential for a successful store in the 1201 block, he wasn’t going that far up the street.
Leon invited his nephews, the Krausz brothers, to open their own store in his new building. The brothers changed their last name to Krauss, and opened what the Daily Picayune called “a veritable trade palace” in 1903. Krauss Department Store operated there, eventually occupying two city blocks. The store closed in 1997.
Growth and expansion
Krauss was an instant hit. Since the four Krauss brothers were bachelors, none of them had family to turn the store over to upon their retirement. So, they passed control over to Leon Heymann, their brother-in-law. Leon a New Orleanian with business interests in Houma, married Tekla Heymann. He assumed control of Krauss in 1920. Heymann acquired the entire square block behind the store, as well as the block directly behind that. With help from his son, Jimmy, and brother-in-law, Leon Wolf, Heymann expanded the store to fill the 1201 block, back to Iberville Street.
In the 1950s, J. Phil Preddy managed the store’s displays and advertising departments. Preddy, a talented artist in his own right, created works for the store ranging from ad illustrations to giant murals painted on the front of the store. What better for NOLA History Guy December than Preddy’s Christmas display mural for the 1952 holiday season.
For almost one hundred years, generations of New Orleans shoppers flocked to Krauss. The Canal Street store was hailed for its vast merchandise selection and quality customer service. In its early days, it sold lace and fabric to the ladies of the notorious red-light district of Storyville. The store’s renowned lunch counter, Eddie’s at Krauss, served Eddie Baquet’s authentic New Orleans cuisine to customers and celebrities such as Julia Child. Although the beloved store finally closed its doors in 1997, Krauss is still fondly remembered as a retail haven. With vintage photographs, interviews with store insiders and a wealth of research, historian Edward J. Branley brings the story of New Orleans’ Creole department store back to life.
Available at local bookstores, Walgreens stores, other local shops, Bookshop, and other online outlets. Give history! Support NOLA History Guy December.
Our fifth installment of NOLA History Guy December features New Orleans Jazz
NOLA History Guy December – Kid Ory
David Simon’s TV series for HBO, “Treme” was in its third season in the summer of 2012. When I learned the show was green-lighted for a fourth season, I pitched a book to Arcadia, “Faubourg Treme.” A couple of days later, I received an email from one of the acquisitions editors. They liked the idea, but wondered if I would be open to a project of a wider scope. I saw Treme as an important neighborhood in New Orleans history, particularly Black history. They saw Treme as the birthplace of Jazz. (Strictly speaking, it was one of the birthplaces, but we got there in the ultimate book.) So, said, sure, and began work on New Orleans Jazz.
Edward “Kid” Ory, “Dutt” to his friends, was born in LaPlace, Louisiana. As a teen in the 1900s, he came into New Orleans on weekends to play gigs with his friends. They took the train into town, then borrow a wagon. They meandered around the city, promoting their gig for that Saturday evening. The trombone players in these bands played off the back of the wagon, the “tailgate.” That way they could work the horn’s slide without risking damage.
Here’s the caption for one of Dutt’s photos:
Tailgate. Edward “Kid” Ory (1886-1973) played banjo as a child, developing a style known as “tailgate,” where the trombone player plays rhythm, under the lead of trumpets/cornets. Originally from LaPlace, Louisiana, legend is that Buddy Bolden “discovered” the 19-year old Ory in Uptown New Orleans and brought him into the fledgling Storyville jazz scene, but his sister told Bolden her brother was too young to play the clubs. Ory did make it to Storyville in the 1910s, then moved to Los Angeles in 1919, eventually making his way to Chicago. In Chicago, he played with King Oliver, Jelly Roll, and Louis Armstrong. Ory took a long hiatus during the Great Depression, but his career enjoyed radio success from 1944-1961.
Dutt was one of the original “Creole Jazz” players. The Great Migration of Black Americans from former slave states to Northern and Western states saw many Black musicians move to Chicago, New York, and Los Angeles. Ory played with King Oliver and Pops in Chicago, then settled in Los Angeles.
New Orleans Jazz by Edward J. Branley
From the back cover:
Discover how Jazz shaped the history and enhanced the life of the citizens of New Orleans.
From the days when Buddy Bolden would blow his cornet to attract an audience from one New Orleans park to another, to the brass bands in clubs and on the streets today, jazz in New Orleans has been about simple things: getting people to snap their fingers, tap their toes, get up and clap their hands, and most importantly dance! From the 1890s to World War I, from uptown to Faubourg Treme and out to the lakefront, New Orleans embraced this uniquely American form of music. Local musicians nurtured jazz, matured it, and passed it on to others. Some left the city to make their names elsewhere, while others stayed, playing the clubs, marching in the parades, and sending loved ones home with jazz funerals. Older musicians mentored younger ones, preserving the traditions that give New Orleans such an exciting jazz scene today.
Available at local bookstores, Walgreens stores, other local shops, Bookshop, and other online outlets. Give history! Support NOLA History Guy December.
“The Gap Bridge” by Jeanette Boutall Ouest, via THNOC
West End from Bucktown
The “Gap Bridge,” captured in a watercolor painting by Jeanette Boutall Woest, 17-November-1968. Here’s the record entry from THNOC”
View of the wooden Gap Bridge in about 1915 bordered by Bruning’s (labeled John C. Bruning above sign) on the left, Martin’s Green House in the background on the right, and the White House (labeled Theodore Bruning above sign) in the foreground on the right.
By the time I was a kid in the 1960s, the Gap Bridge was known colloquially as the “Bucktown Bridge” It was the path of access to the West End restaurant/entertainment area from the East Jefferson side. Coming from Orleans Parish, one went up the start of Lakeshore Drive to Lake Marina Drive to W. Roadway.
West End offered an escape from the heat of the city for over a century. Beginning in the 1860s, locals and visitors alike headed out to Lake Pontchartrain. There were three main entertainment districts along the lake: Milneburg (at the end of the Pontchartrain Railroad), Spanish Fort (at the mouth of Bayou St. John), and West End (at the end of the New Canal). Hotels, restaurants, casinos, and music venues opened in all three locations. They were great overnight/weekend getaway possibilities.
Getting to West End
The New Orleans City Railroad Company (operators of the mule-drawn incarnations of the Canal Street and Esplanade Avenue streetcar lines) provided steam train service from Canal and Rampart Streets out to West End. When streetcars switched to electric operation in the 1890s, so did the West End line.
As “Bucktown” in Jefferson Parish grew, the parish constructed the bridge to cover the “gap” between West End and Bucktown. While the present “gap” is the 17th Street Canal, things were different in the early 1900s. The “Metairie Pumping Station,” also known as Station 6, stood near Metairie Road. The canal extended north from there, but it fizzled out into swampy land from there. So, the “gap” was more marsh than a real waterway. The bridge crossed that marsh. Later, as the parish and USACE modernized the lake end of the canal, the bridge still connected the parish.
Three restaurants are visible in Ouest’s painting. On the left stands Bruning’s, operated by John C. Bruning. On the right are the Green House and White House. The restaurants on the right were long gone by the 1960s, but Bruning’s remained until the 1990s.
Fate of the Gap Bridge
The USACE demolished the bridge in the wake of Hurricane Katrina.
Street railways connected Algiers with Gretna and even Marrero.
I had the privilege of speaking to the Algiers Historical Society last month, on the subject of street railways on the Westbank. I’d spoken to the group on East Bank subjects in the past, so it was fun to dive into an Algiers topic.
Street Railways pod format
So, I didn’t record the original talk, I sat down this week with the Powerpoint presentation and did it as a Zoom. Zoom generates both video and audio recordings. I uploaded the video recording to YouTube. Video podcasts have been a thing for a while, so we’ll join that bandwagon.
I’ve also included a PDF of the slides, for those of you who listen to the audio format, along with images from the presentation.
Portion of the Robinson Atlas, New Orleans, 1883, showing Algiers Point
Louis Hennick map showing street rail in Algiers, 1895
Sketch of planned Algiers Coruthouse, 1896
1907 Photo of the first electric streetcar in Algiers
Louis Hennick map of Westbank street railways in 1916
The block at 1201 Canal was a row of houses in 1899.
Portion of Plate 7 of the Robinson Atlas of New Orleans, 1883, Courtesy of the New Orleans Notarial Archives.
1201 Canal Street 1899
Section of Plate 7 of the Robinson Atlas of New Orleans, 1883, showing square 127 of the 2nd District, 1201 Canal. This block later transformed into Krauss Department Store. Square 127 is bounded by Canal Street, N. Franklin (now Crozat) Street, Custom House (now Iberville) Street, and Basin Street. Eventually, the Krauss Corporation acquired the entire square, as well as square 124, behind it. These parcels become the main store and the warehouse buildings. The process required over half a century to complete. It began in 1899, with the purchase of the buildings in square 127 that front Canal Street. Leon Fellman bought them, setting the story in motion.
Square 127 stands just above (in river-to-lake terms) the Basin Street neutral ground. A railroad station stood there. The Spanish Fort Railroad (SFRR) originated at that station. Prior to street rail electrification, the SFRR offered day-trip service out to the amusement area next to Fort St. John. The fort guarded the mouth of Bayou St. John, at Lake Pontchartrain. After the Southern Rebellion, several incarnations of an amusement district on the east bank of the bayou developed. Steam trains (whose engines were usually disguised as trams) departed Canal and Basin. They turned lakebound on Bienville Street, making their way to the lake.
Steam service to Spanish Fort fizzled in the mid-1890s, as the popularity of the entertainment district waned. In 1910 developers resurrected the area. By 1911, New Orleans Railway and Light Company (NORwy&Lt) offered electric streetcar service. Rather than using the Bienville Street route, the Spanish Fort streetcar line operated on the Canal Street line’s tracks. The line followed the West End line’s path, to Adams Street (now Allen Toussaint Boulevard in Lakeview). While West End traveled to its terminus by the New Canal, the Spanish Fort’s cars turned right on Adams, ending at the old railroad station by the fort.
The original SFRR station on Basin stood unused in the late 1890s. That’s when Leon Fellman, merchant, and owner of Leon Fellman’s Department Store, at 800 Canal Street, enters the picture. Fellman acquired those Canal Street buildings in square 127 in 1899. They stood unused until 1903. Fellman then demolished them. He built a two-story retail complex on the site. Satisfied with his existing store, four blocks down Canal, Fellman invited the Krauss Brothers to lease the new building. The brothers took him up on the offer, opening Krauss Department Store.
Terminal Station, Canal and Basin Streets, 1908. Detroit Publishing Company photo via LOC.
Five years later, in 1908, the New Orleans Terminal Company (NOTC) acquired the old SFRR station. They replaced it with Terminal Station, a grand passenger terminal. NOTC extended the railroad tracks down the Basin Street neutral ground to St. Louis Street. They turned north, just before the Carondelet Canal. These tracks offered an outlet for trains leaving town to the east. The New Orleans and Northeastern Railroad (NONE) leased the tracks and station from NOTC. NONE merged into the Southern Railway system in 1916. Southern operated its trains from Terminal Station from 1908 until the move to Union Passenger Terminal in 1954. Upon completion of Terminal Station, Krauss stood next to a major transit connection. The railroad came in on Basin Street. One block down, Rampart Street served as a streetcar and bus nexus for NORwy&Lt.
Did Leon Fellman know of NOTC’s plans when he purchased the property in square 127? It’s hard to determine. Fellman maintained a number of business and social networking connections. No doubt those included NOTC investors. Anything involving railroads takes time, and usually remains quiet until plans are solidified. Since the 1201 block was ripe for retail expansion, it’s possible Fellman saw the property as a good investment, regardless of what the railroad men did. His moves in 1899 and 1903 set in motion the opening of one of New Orleans’ retail institutions.
Krauss – The New Orleans Value Store by Edward J. Branley